April 4, 2016—San Diego, CA—The third week in May marks the arrival in San Diego of a distinguished scholar on Mexico’s Sea of Cortéz region.  Dr. Markes E. Johnson, Professor Emeritus at Williams College, will visit our city from Monday, May 16, to Friday, May 20, 2016, in promotion of his recently published book, Gulf of California Coastal Ecology: Insights from the Present and Patterns from the Past.

Gulf of California Coastal Ecology was published by Sunbelt Publications this January.  The book serves as a handbook for students, scholars, and outdoor enthusiasts and takes an oft forgotten natural history approach to the ecology of this south-of-the-border region.  Rather than presenting fossil records and existing ecological features in isolation, Johnson draws on more than 12 million years of fossil record to make connections between multiple, interlocking ecosystems that exist today, providing a holistic overview on geography, ecology, and geology.

A current nominee for the prestigious James H. Shea Award for the writing of earth science materials, Johnson has published several books as well as scientific papers and articles on the geology of the Sea of Cortéz region.   While in San Diego, Dr. Johnson will deliver several lectures on topics introduced in the book. These include a lecture on tectonic decapitation of a Pliocene delta for the San Diego Association of Geologists, a lecture on the journey of Ed Ricketts and John Steinbeck to the Sea of Cortez for the President’s Council at the San Elijo Lagoon Conservancy, a seminar on ecological succession recorded in fossil Pleistocene reefs for students and faculty at Scripps’ Center for Marine Biodiversity and Conservation, and a public presentation on Isla Monserrat at San Diego’s Adventure 16.  Gulf of California Coastal Ecology will be available for sale through Adventure 16.  Event details are as follows:

Date: Monday, May 16, 2016

Time: 7:00 pm (Happy half-hour begins at 6:30)

Host: Adventure 16

Lecture topic: “To the Roof of Monserrat: Climbing for Science in Baja California.”

Location: Adventure 16 –4620 Alvarado Canyon Rd. San Diego, CA 9212

Phone: (619) 283-2374

Cost: Free and Open to the Public

To inquire about one of these lectures, about scheduling a lecture with Dr. Johnson, or for media inquiries, contact Kara Murphy of Sunbelt Publications at (619) 258-4911 ext. 114.

There is a screenplay in the works for Marshal South and the Ghost Mountain Chronicles. Read the news here: Ghost Mountain Chronicles

TALKING WITH … KELLY MAYHEW ANTHOLOGY PROBE…

By John Wilkens | midnight Dec. 6, 2015 | Updated, 8:04 a.m.

When National Geographic Traveler recently named its 20 “go-now destinations” for 2016, the list included the San Diego/Tijuana region. Under “What to Read Before You Go,” it mentioned one book: “Sunshine/Noir II: Writing From San Diego and Tijuana.”

Published in October, the anthology features the work of more than 50 writers, photographers and artists, edited by Kelly Mayhew and Jim Miller, a married couple who teach English at City College. They are co-authors of several books and helped found the nonprofit San Diego City Works Press, which published “Sunshine/Noir II” and is celebrating its 10th anniversary this year.

In addition to teaching four classes, Mayhew helps to run the Labor Studies and Honors programs at City College. She joked that she’ll sleep again Dec. 18, when the current semester ends.

Q: There’s a line on the back cover of the book that says, “Enter at your own risk.” What are we risking by reading the book?

A: One of the things that we strive to do in all of our work is complicate the picture of San Diego that people have. We’re such a tourist destination that I think a lot of times people have kind of a postcard view of us as just the beach and SeaWorld and the zoo and Balboa Park. We want to complicate that and bring to the fore all the richness and sometimes the darkness that a real city has.

Q: What do we learn about San Diego that maybe we didn’t already know or understand?

A: We learn a lot about what it’s like to live on both sides of the border. What is the nature of a border city? Who are the people who have come over and go back and forth? What are their lives like?

One of my favorite pieces is by Mychal Odom, and he writes about the black power movement in San Diego in the 1960s. Those movements are often the focus of places like Los Angeles or New York or Oakland or San Francisco – we had the same sorts of things going on here.

We learn about what it’s like to live in City Heights. Anna Daniels has a wonderful piece about her neighborhood, which is composed of immigrants and poor people and people from all walks of life.

We’ve been accused of only focusing on the dark, but I don’t think we do. If you look at Steve Kowit’s poems, they are just pure joy when you read them.

Q: Many people think of “noir” as a particular kind of mystery or crime novel. There is some fiction here, but a lot of the pieces aren’t. What’s your idea of noir?

A: We do have a couple of out-and-out noir pieces at the end. The last section is called “Through a Lens Darkly,” and Jim Miller writes in a literay essay there about not just noir fiction, but a noir sensibility. You are looking at the underside of life that runs beneath and below the happy, sunny exterior.

He talks in the essay about San Diego as a place that is ripe for noir, and San Diego as a place that has had some noir written about it, although it’s not celebrated in ways that other places have had it celebrated.

Q: How did you decide what to include and how to organize it?

A: We locked ourselves in our house for a week figuring that one out. (She laughed.) The book has four sections, and we had themes that we wanted to hit. We figured out which pieces fit into which themes and tried to also have a diversity of voices.

There are people like Steve Kowit and Marilyn Chin, who are celebrated and very established writers, and there are pieces from City College students, people who are just emerging. We tried to have a mix of journalistic and expository pieces, poetry, creative nonfiction. And in the interplay of that, we liked the surprising juxtapositions we came up with. Most anthologies will be fiction and poetry, or they’ll be just non-fiction, and we wanted to have a whole bunch of genres represented.

Q: Why was it important to you to have a diversity of voices? What do you think that says about San Diego?

A: We’re an incredibly diverse city. Jim and I both teach at City College, where there is no one majority population. We were very interested in countering the kind of whitewashing of San Diego that often goes on in the way our city is viewed. We wanted to represent the people who the city is actually made up of, and to give voice to the people who often don’t have voice in the other representations of the city.

Q: You mentioned Steve Kowit, the noted local poet who died earlier this year. What did he mean to the writing community in San Diego?

A: We always called him our de facto poet laureate in San Diego. Both in his writing – how much he did and how published he was and how beloved he was – but also in the number of people whose lives he touched through his teaching.

He was one of our very earliest supporters, telling us we were insane for starting a small literary press in San Diego, but then immediately asking how he could help. His collection of poetry, “The Gods of Rapture,” was the second book we published. He gave us the manuscript, and that was one way he could help support us monetarily. When he died, we were just crushed, and the one thing we thought we could do that would really honor him was to dedicate “Sunshine/Noir II” to him.

Q: Was he aware of the project?

A: Yes. He gave us six or seven poems we used in the book. We’d talked to him about the project. The last time we saw him, he came over to our house, and we told him what we were going to use. And he got some more of his books and we sat on our couch and talked about semicolons and grammar. Both Jim and I teach writing and literature, so we were having a total nerd fest.

Q: I’m sorry you didn’t tape it so we could all watch it on YouTube.

A: I am, too. We had no idea that would be the last time we would be seeing Steve.

john.wilkens@sduniontribune.com

Mayhew Poet Kowit helped with literary press

“Sunshine/Noir II: Writing From San Diego and Tijuana”
Edited by Kelly Mayhew and Jim Miller
San Diego City Works Press; 376 pages; $15.95

© Copyright 2015 The San Diego Union-Tribune. All rights reserved.

Source
National Geographic Traveler story about San Diego/Tijuana region

Ricardo Breceda, Anza-Borrego’s most famous sculptor has moved his studio and found new homes for his whimsical metal sculptures. His work is iconic work is featured throughout Anza-Borrego State Park and surrounding areas, and now can be found in local cities from San Diego to Joshua Tree, California. Click here to read about his new locations! Breceda’s Art Finds New Home

The fourth edition of Copp’s “Cycling San Diego” has been printed by Sunbelt Publications of El Cajon. The book’s cover shows two bicyclists pedaling past the landmark Hotel del Coronado.

Source: San Diego Uptown News, October 9, 2015

The 326-page book (retail value of $21.95) is chockfull of cycling routes from Camp Pendleton to Coronado to Julian to Borrego Springs. Dozens of helpful maps provide a clear guide to getting around a chosen area.

Copp is the author of “Cycling the Trails of San Diego: A Mountain Biker’s Guide to the County.” The 270-page book is also published by Sunbelt.

For the past three decades, Copp has been keeping San Diegans informed about the ever-changing landscape for cycling routes and updating his books. He is a lifelong cyclist, on-road and off-road, and is hailed as a master of applying state-of-the-art cartography and software applications to field guides.

“Cycling San Diego” details 67 rides, each providing directions to the trails, a list of amenities, and route options. Detailed maps and color photographs illustrate the book vividly. He also shares stories about the history of the area and points to landmarks to check out.

Both books can be purchased online at major retailers or at bookstores throughout San Diego.

Source: La Jolla Light: Gems of the Week, June 18, 2018

The revised and updated fifth edition of San Diego: An Introduction to the Region, by Philip Pryde is a must-read for insights on America’s Finest City. Pryde is a SDSU professor emeritus, who taught environmental policy for 32 years. First published in 1976, the 360-page book explains the geolgic processes that shaped the county; its Native American beginnings; climate, soils, vegetation, wildlife, mineral and agricultural resources transportation corridors and recreational facilities; the evolution of its cityscape and surrounding communities; transformation of the border; and future plans for the region. $27.95, Sunbelt Publications, sandiegoregionbook.com.

Our favorite excerpt: “La Jolla is often perceived as San Diego’s most distinctive community (in fact, many erroneously think it’s a separate city).”

Source: Midwest Book Review, California Shelf, Volume 10, Number 9, September, 2015

Field Guide to the San Andreas Fault should see renewed interest given the popularity of the disaster film San Andreas, but is thoroughly packed with science, not speculation or science fiction, and thus makes a nice, realistic compliment to the movie. Here is everything you need to know about the famous fault line that took out San Francisco in 1906; from GPS coordinates for hundreds of locations to road logs for visitors and fault coordinates, geological history and scientific explanations, color, full-page trip maps and sidebars of travel notes, and more. Travel and science collections strong in California history and science will welcome a survey that avoids the usual general discussion of earthquakes and faults to hone in on a single huge fault line and how it can be observed and followed, making this a ‘must’ for any California or geology collection.

http://www.sandiegouniontribune.com/news/2015/sep/16/horses-breceda-temecula-vail-lake-art/